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Monica Piccinini

Monica Piccinini in rot gekleidet schwingt ihre Haare

Ihre innig strömende, sanft leuchtende Stimme gehört zum Schönsten, was man sich für die Affektgesänge eines Monteverdi, Pergolesi oder Händel nur wünschen kann. Kein Wunder, dass Monica Piccininis lyrischer Sopran nicht nur an Italiens großen Häusern bejubelt und von Pultstars wie Jordi Savall oder Fabio Biondi hoch geschätzt wird.

About the artist

Monica Piccinini als Psiche

LYRICAL LIGHT FOR TOUCHING AFFECTS

Born in Reggio Emilia, Italy, after a degree in violin she started to study opera singing under Franca Mattiucci and Elena Kriatchko, obtaining a degree with honors.

She perfetioned her vocal technic with masterclasses in Baroque repertoire with Claudio Cavina and Rossana Bertini, in Lied and vocal music of the 1900 under Eric Werba and Dorothy Dorow.

She did her debut on the stage with the parts of Musica and Euridice in a production of Monteverdi´s Orfeo at the Teatro Real in Madrid under Jordi Savall. It followed several projects as Valletto-Fortuna/Incoronazione di Poppea at Teatro Colon in Salamanca under Rinaldo Alessandrini, Amore/La Virtù degli Strali d'Amore of Cavalli at Teatro Malibran in Venice under Fabio Biondi, Claudia/Massimo Puppieno of Scarlatti at Teatro Politeama in Palermo under Fabio Biondi, Argene/L´Olimpiade of Pergolesi at the Theater of Krakow under Ottavio Dantone, Minerva-Fortuna-Melanto/Il ritorno di Ulisse in patria of Monteverdi at Beaune Festival, Clori/Clori, Dorino e Amore of Handel with the Münchner Rundfunk Orchestra in Munich, Bellezza/Il trionfo del tempo et del desinganno.

Furthermore she sung already many sacral pieces as the Krönungsmesse and Missa in c Major by Mozart under Ottavio Dantone, Stabat Mater of Boccherini with the Ensemble 415 under Chiara Banchini.

She is regularly working with important ensembles and orchestras among others: Concerto Italiano, Europa Galante, Al Aire Español under Eduardo Lopez-Banzo, Concerto romano, Concerto Palatino, El Concierto Español of Emilio Moreno, the Chamber-Orchestra of Lausanne, Münchner Rundfunk Orchestra, Orquestra barroca de la Universidad de Salamanca, Hespèrion XXI and La Capella Reial de Catalunya.

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