Mit einem russischen Höhenflug hebt sich der Vorhang für die neue Orchestersaison.
Fuad Ibrahimov
dirigiert Strawinskis Feuervogel-Suite und Tastenmagierin
Kristina Miller
entfesselt Tschaikowskis erstes Klavierkonzert.
Inhalt
Mächtiger haben russische Komponisten nie in die Tasten gegriffen:
Strawinskis Ballett „Der Feuervogel“ bot dem Pariser Publikum das Maximum an spätromantischem Orchesterklang. Der berühmte Beginn von Tschaikowskis erstem Klavierkonzert hat selbst den russischen Klavier-Zaren Nikolaj Rubinstein abgeschreckt. Ideale Vorlagen für die Moskauer Pianistin Kristina Miller und den Dirigenten Fuad Ibrahimov aus Aserbaidschan.
Programm
Igor Strawinski: Feuervogel-Suite (1919) Pjotr Iljitsch Tschaikowski: Klavierkonzert Nr. 1 in b, op. 23
Intro
Jeweils 20 Minuten vor Vorstellungsbeginn erzählt Ihnen Intendant Mathis Huber etwas zur Geschichte des Abends.
Kristina Miller was born into a family of musicians in Moscow as a piano prodigy. After only a short period of training she had her first performances with orchestra at the age of eight. The award-winning pianist’s foreign tours span several continents and her first CD, released in 2008, was broadcast several times on BBC radio.
Recreation is special in many ways: consisting of musicians whose nationalities range from Japan to Venezuela, most of the members received part of their training in Graz. After its formation in 2002, the collective has played in unique halls such as the Alte Oper Frankfurt and has worked with outstanding conductors.
He began his studies at the Baku Music Academy at the age of 15, and by the age of 32 he was already principal conductor of the Symphony Orchestra of the New Philharmonic in Munich: the award-winning conducting star from Azerbaijan is in great demand internationally and has already been able to conduct concerts with greats such as Anna Netrebko.
